Razors Books

Chad Ward - An Edge in the Kitchen

I own two books on kitchen knives and knife skills, this one and Weinstein's Mastering Knife Skills. Chad Ward's book is the best of the two by its breadth and wealth of information and is objectively a very good book.

Physically, the book is a medium sized hard cover, well edited. There is a number of good B&W pictures through the book to illustrate specific points, and there's a central section of 48 pages of glossy color pictures depicting specific knife techniques (battonets vs. julienne, onion, tomatoes, cutting a chicken, butterflying a piece of meat, skinning salmon, carving a turkey, steeling a knife, several sharpening methods, etc).

The book is organized as follows:
1 - Choosing the right kitchen knife:
This section is about 90 pages, so it's a sizeable part of the book. The author goes through the various knife types, costs, etc. Generally, Chad advocates staying away from knife block & sets, and explains that a home cook can do most everything with 3 knives: 8" to 10" chef, paring, and a serrated (or scalloped) bread knife. So his recommendation is to get the best of those. What is really helpful is that the author gives specific recommendations for all budgets - below $100, $200, or "the sky's the limit". Too many books just say "get what feels best". Chad goes beyond this to give a range of specific endorsements. This part also includes 10+ pages on cutting boards and how to take care of them.

2 - Kitchen knife skills:
This section is about 30 pages but also has most of the color pictures in the center section. This is where the key knife skill concepts are explained, how to hold the blade and the item to be cut, etc. This is similar to other knife skill books, but with one major improvements which is a few recipes to practice the skills. Those recipes are really welcome, and because they are basic recipes that can be used as base for a number of varied dishes, they are great recipes to include in this book.

3 - Knife sharpening:
This section is about 70 pages and covers the theory & science of knife sharpening as well as specific reviews and advices for several methods. Chad reviews the sharpening of Western as well as Japanese style knives, and several sharpeing systems (e.g., Spyderco, EdgePro, etc).

At the end of the book are several pages of resources to buy knives, boards, sharpeners, etc.

In short, I think this is a complete book that covers the key concepts of knife skills, but also addresses knife selection and care. If you buy only one kitchen knives & skill book, I would recommend it.

I read this book cover to cover in a single sitting. I found it easy to read and understand as well as a few laughs along the way. This book will become a permanent resource in my kitchen library for a long time. I highly recommend this book to any one with and interest in kitchen cutlery, cutting boards, knife cuts, maintenance of both knives and cutting boards with even a few recipes included. It is also a great resource for suppliers of various related goods and services.

If you want a book that will help you improve your knife skills (such as chopping faster, avoiding accidents, or getting a better edge on your knife), An Edge in the Kitchen is best, most readable book on the market, and I've read through several books and websites for information.

There is an in-depth primer to knife honing and sharpening, and well as the standard full-color photos of cutting up all the vegetables and meat you could possibly be expected to encounter in your kitchen adventures.

More importantly, it's also a "knife book" as well as a "knife skills" book for your inner materialist or consumer junkie (like me). If you wondering about (1) what kitchen knives to buy for a first kitchen or a registry, or (2) looking to upgrade your current kitchen, or (3) if you simply appreciate good food/tools/gadget writing, this is the best, most up-to-date source of information out there. Even if shiny, sharp objects scare you, and you're not too handy in the kitchen, this is a fascinating read.

Have you ever seen those beautiful, pricey German or Japanese knives in a specialty store or Williams-Sonoma, but you were afraid to commit to a purchase, because you were unsure how to decipher the jargon (high-carbon stainless? VG10 steel? drop-forged? full-tang?), and how to separate the facts from the sales pitches? This book explains everything you might want to know about knives (and debunks many consumer myths) in an easy-to-understand, engaging way, and arms you with knowledge as a consumer.

A good knife is an extension of a cook's hands. Ideally, buying a good kitchen knife is an investment in a tool that will last a lifetime and that you will use on a near-daily basis. I would recommend this book to anyone who uses knives in a kitchen.

this is the most thorough comprehensive clearly written and amusing book that I've seen on all things knife - how to choose what you need, what's the difference between the expensive choices, how to keep a screaming sharp edge, clear guidelines and different chefy cuts and terminology. really excellent. wish I could say I still have it but my son stole it as soon as he saw it.

I enjoyed Chad Ward's book immensely. It was easy to follow, had great pictures, is full of good information, and is actually fun to read. He does a good job of covering what you need in a knife and what you may want if you get bitten by the knife bug. He dispels common knife myths and arms you with information so you do not fall for the sales pitch at a fancy knife display in a department store. Knives for all budgets are covered from $50 knives to those in the hundreds and emphasis is on getting the best knife for your dollars. Why spend $100 when you can get a better knife for $50?

There is also a section on sharpening your own knives. Geoff seems to have an issue with that, but many people enjoy the exercise. Many people also enjoy working on their own cars, cutting their own grass, or grinding their own coffee. If you don't then feel free to pay someone to do it or cut with a dull knife. Whatever floats your boat. It is nice to see detailed information about sharpening though in case that is of interest.

No where in this book (and I have read it 3 times) does Ward say to buy a $200 knife, but he does give suggestions if that is what you WANT to do. All in all it is a great guide on how to get a good knife that meets your needs and your budget.

The photo illustrations of common cuts is done well also and I found the section on how to section a chicken useful. This is a great book for anyone who wants to know more about kitchen knives and how to get the right one for their kitchen.

There are amazing aspects to the book. The observations about the desert landscape are amazing, the the drawing are wonderful but the insight into one man's way of doing time is the most amazing.

I have been a prison volunteer for fourteen years and know that probably the worst thing about prison is the lost of hope. The author learned many things about himself but it was amazing that he found hope. I think all inmates and most prison volunteers would rate prison time as ell, so Ken Lamberton truly found hope in hell.

I am looking forward to reading Lamberton's other writings.

My sister who lives in Arizona heard about Ken's book in the newspaper and after reading it, she was certain that I would like it as well.

She was right. I read the book in several sittings. One of the reasons that it meant so much to me was because about 20 years ago, I took a 28 day survival class for one of my college credits. The experience took place in the southern desert of Utah. I learned to love and appreciate the desert. Ken has the words and the artistry to describe many of the things that I felt and experienced from participating in that Wilderness.

I also have a fascination for the prison system and how it changes a person's life. As Ken pointed out, prison certainly cannot be defined as rehabilitation. I like how he described the issue of doing time and how it weighed so heavily on his soul. He used his education and knowledge of the environment to lighten the burden of being in prison for 12 years. It was his escape and through his words he allowed us to escape with him.

Buddhists say that wisdom, at least a form of it, comes to those who gain access to a plane of imagining beyond hope and hopelessness. To be able to see clearly, witness openly and without prejudice, is to enter this imagining. To be able to see for seeing's sake.

"Wilderness and Razor Wire" is an opus and an opera of seeing. Written during the author's twelve years of incaceration in the Arizona State Prison, the essays in this book focus the eye and the ear, sense of scent and touch, on the fragile bits of wildness which entered prison cell and corridor, walkway and window. The heat of the desert, the gaze of the owl, the aroma of spring's bounty of flowers in a barren place, inside a landscape seen as barren, but isn't, are beautiful, and defiant. This is a book to read when contemplating, to borrow from Bill McKibben, The End of Nature. The only end of nature, the book implies, is when we stop looking for and imagining it.
This is a triumphant book.

Ken Lamberton, also referred to Mr. Lamberton to many thirty-somethings in Arizona, was caught for doing something many other instructors have done before and will do again. In this book, Lamberton teaches us lessons of nature, and yet also seems to share important lessons of life. This is the way he was in the classroom and he still has that gift today. This book is perhaps more meaningful to those of us who actually sat under him as students and still respect him in adulthood. Reading this book brought back many memories of basic science lessons where Mr. Lamberton actually took us out of the classroom and into real nature. He has us imagine and look at nature in a different way - a more appreciative way. There were tests for us back then, but none like the test his family went through - and survived.

Lamberton's book, a literary work indeed! I am fishing for a word to describe it and the emotion it conveyed to me, but I cannot find a good word. It is a book filled with beauty and brokenness, arrogance and repentance, reel love and real love. It really is a story of the human condition, trying to walk a ridge line and not falling into the abyss. Some of us fall into the abyss due to our own stupidity and get caught up in all kinds of trouble for violating some cultural rules scripted as law. (Had Ken been in Kenya among the Luo people, the age of 14 is just right for marrying and he could have had as many wives as he could afford.) Others fall into the abyss due to illness which can be equally devastating. Still others would rather take their life on the ridge line before falling.

When someone takes a serous fall and survives it may take years for them to recover and all too often those who witness the fall are not there at the time of recovery. Karen, Ken's wife, was always there. An impressive part of this book is the story of a remarkable wife with her three children, committed to an intellegent man. She believed her love would return and again light up her life!

I liked this book. I read it while I was stuck in the airport when my flight was canceled. It helped to take me out of the foul mood I was in about the airline mess. It is a funny book and gives good insight about people you will not find in other novels. It is even a little disturbing in that way. I admit I was still thinking about things I had read several days after finishing the book. My only problem with the book is that the author seemed to actually like the protagonist and other characters. These are people on the fringe of society for a reason. These sorts of people do not contribute anything to society. They only suck it dry. And I wish the author had not presented them as having some special insights the rest of us are lacking. Other than that I recommend getting this book.

This is a great book! There were lots of funny parts. It had a fresh voice to it, and the story was interesting. You have to pay attention to figure out what is going on. For example, there is a play within the story that reveals an important secret. That was pretty cool. There is also a great cat in there and I love cats! I recommend this book.

If you like playing armchair psychologist you will love this book. Author PL Frank does a surprisingly good job of taking the reader deep into the psyches of some disturbed characters, but rather than exposing them as freaks, Frank explores their warped senses of reality with the understanding, kindness and empathy of a psychoanalyst. Part of the reason we grow to actually like these people on society's fringe is the author's sharp-witted observations and sense of humor about the human condition. I laughed out loud throughout this book and came away with an entirely new way of seeing others. Highly recommend!

Not For Public Consumption
Not For Public Consumption is a fast read that is over much quicker than you want it to be. It is extremely funny. The author shows us the world as seen through the eyes of society's outcasts. I found myself cheering for the misfits, groaning at the empowered, and wishing I could live (at least for a day) in the alternate reality of these all too real characters. One warning: Once you get this book, being in public will never be the same.

This brilliantly constructed novel explores the concept of sanity/insanity through the often hilarious experiences of a group of people who have dropped out of society. The plot twists and turns in the manner of a first-rate psychological thriller. The thrill here includes discovering the truth about the protagonist, Murray. Is he merely secretive and possibly involved in some sort of underground movement? Is he insane? Has he been driven to insanity or is the appearance of insanity a concious choice on his part? The novel takes a fresh look at the age-old question: what is normal? An entertaining, compelling read-at-a-single-sitting book.

Having left South West London twenty five years ago I have, like most of us, wondered what the kids I grew up with are doing now. Up until around `81' I would go back to visit every couple of weeks and the conversation would invariably turn to "Who's in jail?" "Who just got out?" Eventually the question would become "Who's dead?" "Who's alive?"

I remember one of my best friends Noel showing me a paper clipping from the South London Press reporting on his failed stick up of an off-license in Balham. By 1980 that was the way the wind was blowing. As kids we were always involved in some life threatening escapade or another, but it was more for kicks and only occasionally criminal. But by the time half my friends were in remand centres or borstals I knew I was well out of it.

So although it came as a massive surprise, it really shouldn't have, when I recently discovered that the aforementioned Noel is now better known as Razor Smith and is currently serving life for armed robbery.

Smith has shot, slashed and robbed his way into gangland legend. Before his life sentence he was the frightener in a gang of four known as the `Laughing Bank Robbers' who carried out a string of bank raids around South London, he has fifty eight criminal convictions to his name and has now chosen to write his autobiography - "A Few Kind Words and a Loaded Gun."

Described by G.Q magazine as "One of the most powerful and intelligent crime memoirs we've ever read" and "extraordinary" by the Guardian, I just thought it plain surreal to be standing in the middle of Waterstones seeing my name included in the `lavishly blood splattered' memoirs of a major career criminal. Names, places, incidents, half forgotten friends and enemies and even my brother all contextualised in the pre-teen remembrances of a kid I took my first and only pinch with. (For messing around on a railway track - ironically) And although Smith is no killer and I'm certainly no choirboy - I felt like Pat O'Briens's priest from the movie `Angels With Dirty Faces' reading about the gangster exploits of his boyhood chum Rocky Sullivan played by James Cagney. In fact we were all Cagney fanatics in those days, endlessly acting out scenes from White Heat or Public Enemy on the roof tops of Streatham High Road.

The book goes on to outline various `tear ups' between all those old sub-cultures of the late 70's such as the Rockabilly's, Skinheads, Punks, Smoothies and Teds which culminated, perhaps, some of the most notorious pre-gun gang wars such as `The Battle of Morden,' `The White Swan Massacre,' and the seemingly fortnightly riots at the Chickaboom Club in Carlshalton. But by the time most of these incidents took place I was lost in music and Razor had gone the way of the gun.

As I say, we all wonder about what happened to the kids we grew up with. I just never thought I'd find out in such a spectacular fashion.

Noel `Razor' Smith is currently residing in HMP Grendon.

I can't say that I am a fan of criminal autobiographies. And Razor Smith is not a notorious criminal of the Dillinger variety. He's a common thief, a man who used guns, knives and other physical violence to frighten others into giving them his money. He justifies his bank robberies, his primary vocation, by saying the deposits were insured. But who does Smith think pays for the insurance premiums? Who does Smith think pays for the stress and trauma he inflicted on innocent people who just happened to be there when he threatened their lives with his gun?

None of that, however, takes away from Smith's skill as a writer. Now serving what could be the rest of his natural life in prison, much of Smith's autobiography sounds like leftists like Leonard Bernstein during the 70s: it's the victim's fault for making the criminal. Nonsense. Smith chose his own life.

Smith appears remarkably candid in recounting his youth and how he gravitated toward the criminal life, not only because it beat working in more traditional means to earn a living, but because such petty criminality is remarkably common in England. At first I didn't believe Smith's tales of promiscuous youthful violence as a way of English life. A bit of research confirmed his claims. England is not Paradise.

As a grown man whose son had his own problems with the police and committed suicide, Smith sounds remorseful. Whether this is a ploy to advance his claim for parole is obviously unknowable. Regardless, Smith's memoir of his life is an enthrally, worthwhile excursion into the criminal's mind. Well-written and absorbing.

Jerry

A career criminal is someone who is so committed to crime as a way of life that no amount of `rehabilitation' from the prison system can straighten him.

Razor Smith is a bank robber of the sort. In fact, he prefers robbing banks so much he'd rather give away three years of his life for a three-month fling with it, anytime. And when he gets bored looking at the same four walls everyday, he simply escapes. So easy, so he does it again and again and again. Life on the run has its extreme highs and lows but sooner or later it'll be back to the slammer for good when Old Bill and The System caught up. And they did. If Whitemoor is as escape proof as it's said to be, Smith could well be serving out his eight life sentences properly, this time.

In his early 30's (he's now 45) Smith took it to himself to learn to read and write properly. The consequences were quite unexpected: Not only did he discover a passion for books and writing, people actually paid attention to him and to what he said on paper. And because he had plenty of gripes against The System by now, he had plenty to say. Later, an A-Levels in Law and Honors in Journalism helped focus his anger and aggression and lend weight to his arguments. His newfound skills and plain-speaking, wry, observant prose make A few Kind Words an accomplished first memoir. It is also clear Smith now has every stab at a career that is leagues above the Road Sweeper job he once had and certainly as potentially profitable as the Other One.

But if Smith wins both our ear and our empathy, it's because he manages to talk about his condemnable behavior - and much of this is violent - without so much as a finger pointing in any direction except towards his own.

To begin with, he was at 15 a school dropout with too much time on his hands. Adrenaline Junkie might as well be his middle name. The first time he was arrested was for burglary, for which he was sent to a youth custody center. `If I came from a broken home,' he states quite matter-of-factly, `it's only because I broke it,' referring to how normal his parents and siblings were in comparison to him and not just the countless times armed police had to break down the front door of the family home, looking for him.

It didn't help either that the Irish cockney was growing up in the land of The Kray Brothers, the Great Train Robbers - the likes of John McVitie and such, where there was romance in thievery.

`There is a code (of honor) handed down by generations of infamous criminals, both real and fictional that you learn it from watching others in life and watching westerns and old gangster films.' Smith tells us, `this code meant you never needed to be ashamed of being a criminal, as long as you're the right one.'

The code included the imperative to be loyal: if a thug was caught giving evidence against his fellow thug, he will be striped (slashed) across the face with a sharp instrument in `a curving line from the corner of the mouth to the earlobe' to mark him traitor to his kind. Very likely, he'll end up starving in the streets.

So, to sum up his gentleman thief values or as a tribute to Al Capone or both, Smith took the title of his autobiography from the Chicago mob boss's quote, `Sometimes you can get more with a few kind words and a loaded gun than you can with a few kind words.'

Much later, in examining the forces that contributed to him staying in this rather vicious cycle, Smith points out the Crime Justice System for having failed to do the one thing it was supposed to do, namely in rehabilitating its criminals. Rehabilitation must help criminals secure the skills to thrive out there. How can the System realistically expect a highly-skilled ex-con to resist the siren call of crime which promises (and also delivers) a much more comfortable life for them and their family for a low-skilled, dead-end job that pays just enough to survive on carpet toast and Cup O Soup?

Most of us `straight-goers' can only guess at the reasons that keep prisoners on the path directly to the slammer and who better than Smith to shed a light. And what this noteworthy new writer drags with him into the cold light of day are the things we should not avert our eyes from.

South Londoner Noel "Razor" Smith's long history of crime culminated as a member of "The Laughing Bank Robbers", an armed firm known for their "gallows humour" who cracked jokes while collecting their loot - even, on one job, dressing in festive Santa hats and wishing terrified customers and staff a "Merry Christmas". Smith was also part of the Rockabilly scene who with his gang the Balham Wildkatz battled it out with punks, skinheads and other rivals at a time when the various London subcultures were tearing into each other at every opportunity with boots, fists, and whatever else was handy.

"A Few Kind Words..." stands head and shoulders above most crime memoirs. Firstly, it is not ghostwritten - Smith discovered a talent for writing whilst behind bars that eventually got him published in national newspapers. Secondly, prison is where he is right now, serving a life sentence (or technically speaking, eight of them). So let's just say that, on top of being extremely well-written, this book has an edge over much of its 'Real Crime' contemporaries in what can often be quite a tacky and superficial run-of-the-mill genre.

Smith loads his memoir with enough raucous mayhem to more-than-satisfy on the entertainment front, but also often pauses for intelligent, analytical reflections on the workings of his own criminal mind, and the life he has spent "fashioning the chains that now bind him". Through writing, he says, he has "found a more acceptable way of expressing himself" than via the violence and crime that has taken away his most basic human right: freedom.

Born in 1960 into an average Irish working-class family, Smith has none of the usual excuses of a broken home or violent abuse to account for his slip down the wrong tracks, and to his credit, insists it was entirely his own choice, something he walked into with eyes wide open to the consequences. Yet, in his exploration of the past, he interestingly cites an adolescent experience of unprovoked "torture" and forced false-confession at the hands of drunken police as a turning-point in his attitude towards "the system", sparking a rebellious spirit that - who knows - may not have otherwise been there, or atleast come so prominently to the fore. He also explains what it was like during the 70s when, with the IRA's bombing campaign at its height and anti-Irishness rife, London-Irish kids were often compelled to either feign Englishness or assert their own identity, sometimes physically.

Though such factors alone can hardly take the blame for the self-destructive one-man crimewave that Smith became, it does suggest how he would have felt the kind of outsider status that can often can lead in a lawless direction. However, with Smith's addiction to the power and adrenaline of armed robbery ("It was a rush that no amount of cocaine or Ecstasy could imitate") it is hard to imagine anything other than participation in an actual war (Smith's own suggestion, by the way) satiating such an overwhelming urge.

Smith gets great pleasure in considering himself one of the last London "Chaps", criminals who followed codes of conduct and honour taken from noir gangster films and westerns. Here he paints all the usual mythical pictures of gangsters who were honest, moral and fair (as opposed to the modern stereotypical urban criminal, cracked-up to the eyeballs, and would kill his own granny for a tenner). But in wild contradiction, he also describes himself as "a thug from a council estate" who admits to acts of violence that were "vicious and heinous" - such as his penchant for slashing faces, presumably - hence the nickname. (The book actually ends in a statement of show-off criminal no-value that defies the writing's overall intelligence.)

Nevertheless, Smith generally paints himself as human rather than hero (he doesn't always win - he often quite brutally loses), and he writes with an awareness that, due to his endless weakness for tempers, tantrums and slashings, he is not exactly endearing himself to the reader. But that is a winning ingredient, because in a crime memoir the down-to-earth honesty and lack of excuses makes a real change.

Mirroring Smith's life, much of the book is set in prison - in fact, Smith brings us on a tour of practically every prison in southern England. In these chapters he rails against what he sees as "holiday-camp" depictions in the British tabloid press where prisoners are treated with kid gloves and a revolving-door policy operates. Conversely, Smith runs through the many bad conditions, brutalities, injustices and corruption he has witnessed - which is enlightening but, of course, depressing.

Smith's endless revisits, after umpteen chances of freedom, may leave you exasperated and out of patience - Razor's life reads like a long prison sheet punctuated only by occasional bouts of freedom. But crime was evidently what he thrived on, his reason for living, and no amount of jail - despite its harshness - could quash his desire to keep going back to "the business" for more. Ultimately, in the book (until a massive life sentence in '99) he's springing back and forth like a yo-yo.

Of course, towards the end there are a few moments of regret (how could there not be?) but there's also a strong lingering sense of defiance (check out the last few paragraphs) that is quite startling. You're left remembering the zeal - an almost heady nostalgia - in which Razor Smith recounts his robberies, gangfights and prison escapes that leaves you wondering if given the chance he'd do it all again.

Like Peter I lived and went through total hell from a matron while I was in the same orphanage. After reading Peters book while the locust slept,I relived the same anger, as Peter indured.This book should be a must read by anyone,who plans on going into the socialwork field and know that this is truly a non fiction tragedy which happened.This is a story that took place a long time ago,but could still and does happen today.

This is a chilling, true-life account of a childhood that should have never been, and 17 years of life that would forever haunt the author, Peter Razor. Peter, an intelligent boy that was raised in an orphanage as a ward of the state, then placed in an abusive indentured farm home had a childhood that is reprehensible, and sadly true. Supposedly protected by the state, Peter became a boy who flinched from physical contact, and had no understanding of what a normal happy home should be like. Unlike Peter Razor, not all children were lucky enough to survive the abuse that could be found in state orphanages when Peter was growing up. Corporal punishment went unchecked, and Peter, an American Indian, also had the added disadvantage of prejudice thrown in. Eventually placed on a farm, his placement was not carefully monitored, and the abusive treatment with this family was never noted by the social worker who was suppose to be monitoring Peter's placement. While the Locust Slept, a Minnesota Book Award Winner, is a compelling, well written tale that reads like a novel, yet is sadly a true tale of a horrific childhood that was unchecked by the state that was suppose to be protecting him

I had the pleasure of meeting Mr. Razor while on a trip to Cochiti Lake, New Mexico. After talking for a while he passed me a copy of his book and asked me to read it and then share it with others. I read the book cover-to-cover on the trip home and was amazed that the man I had talked to had once been the little boy in the book. Mr. Razor was a kind and gentle man that never revealed the scars from his childhood in any part of our conversations. America's inhumane treatment of the Indian people is well documented. This book offers graphic descriptions of individual cruelty that was fueled by ignorance and prejudice. I don't know if many human beings could have endured this sort of trauma and survived to be so kind. Peter is a truly incredible person and I would recommend his book to anyone.

My father as well was in the Owatonna "orphanage" which he termed as an "intournment camp/prison"! Babies and children were treated more tragically at this place than you could even imagine. Babies died for lack of "touch" and nurturing! Children were beaten, mauled, and oftentimes died as a result of such treatment. Peter Razor cites an insightfully true story of just SOME of the horific experiences of babies and children in this most insightful book on our country's past (AND EVEN PRESENT) ways of "Social Services" treating our "lost" children!! A MUST TO READ!

About a year ago a teacher/performer friend asked me who my first guitar teacher was. Larry McCabe, quite a few years ago. My friend looked surprised, and told me he uses Larry's books in his own teaching, and that Larry had written something like 80 books to date. I had no idea, as Larry was in the process of writing his first book when I had lessons with him. So when it came time to brush up on some basic blues licks for a band I'm in I ended up obtaining some of Larry's books.

This book of blues turnarounds is where I started. What a great book - full of excellent turnaround licks. At this point I've only played through about half of them note for note, but have used those as a basis for coming up with my own licks. And to me, that is the mark of a great book - lots of useful information if read note-for-note, but can also be used as a springboard for creating new ideas.

The licks I've learned from the book thus far are all in the key of C, but can be easily used in other keys if one has a basic knowledge of the notes on the fretboard. I'd highly recommend this book for a beginner wanting to learn stock blues licks, or intermediate players who need to expand their blues vocabulary.

An Excellent Choice for the Early Intermediate Blues Guitarist

A turnaround is a lick played at the end of a section of music. A blues turnaround would be played in measures 11-12 of a 12-bar blues, or measures 7-8 of an eight-bar blues.

Electric urban blues turnarounds are fairly easy to play, and the difference from one to another is subtle. Having the ability to play a variety of turnarounds is an important skill in blues guitar playing. This is the best book I know of that addresses exclusively the subject of electric blues guitar turnarounds.

This a book for a VERY ambitious beginner, or an early intermediate guitarist who has an interest in Chicago blues in the classic style of Muddy Waters, Howlin' Wolf, Jimmy Reed, etc.

The licks are all arranged in the key of C. This is for ease of analysis and comparison. The user is encouraged to transpose the licks to other keys - a worthwhile project for exploring and learning the fingerboard. Very, very good practice for learning the art of blues phrasing.

Great book from one of our leading authors. My students (and myself) have consistently benefited from the interesting instruction contained here.

My students and I work from several of Larry McCabe's guitar books and find that the books produce consistently high results.

This book, like the others, is exceptionally well crafted, specific in intent, and the guitar lines are accurately written exactly as they are heard on the CD. Larry McCabe books are the work of a dedicated teacher who has achieved a high level of respect nationally in the field of music education.

Larry asked me to write a review for this book, and I am happy to do so. The object of this book is to teach the art of playing blues guitar turnarounds to a guitarist who has some prior experience but is just beginning to explore electric blues.

If a student knows how to bend the strings and perhaps play slurs, slides, and hammers, blues turnarounds are not difficult to play. What is important is to play them authentically and with conviction. This book does a very good job in advancing those objectives.

A component of this book that is quite effective is that every phrase is written in the Key of C. The student should then transpose each lick to other keys, a desirable skill that encourages individual incentive and ability to solve arranging problems.

The turnarounds sound exactly like the ones played on classic blues recordings by the great artists from Chicago and other urban areas.

I know other teachers who swear by Larry's books, and I am one of them. Great book- effective in its aims, ambitious content, fun to work through, and a great value.

I am a guitarist who has played in blues and rock bands and I have been working on slide guitar technique. I am very pleased with this book. Everything is here for anyone who wants to learn how to play blues slide guitar licks in the context of a blues band.

The licks are played in actual blues songs that follow standard chord progressions. I have already found ways to work the licks into songs by Muddy Waters, Elmore James, etc. Great book and I recommend it to others.

I have been wanting to learn slide guitar for a long time. My teacher suggested this book and it is as helpful as he said it would be. The material is well-organized and includes everything a beginning slide player needs, including diagrams that serve as valuable roadmaps for open E tuning.

The slide licks sound just like the ones played by Elmore James, Hound Dog Taylor, Robert Nighthawk, and others on the classic blues records of the 1950s to mid 1960s. Some of the licks sound like Taj Mahal. The great thing is that a good blues band with a singer is playing model blues songs on the CD, so you are learning licks that you will actually be able to use in the blues songs you play. The singer on this CD is amazing-he sounds like Ray Charles.

I love that the entire book is arranged in the key of E. And the licks are smooth, tasteful, and accessible. The book gave me immediate confidence and familiarity with open E tuning. It is a lot of fun to play along with the CD - I feel like I'm sitting in with a blues band in a smoky bar on the Southside of Chicago. Very highly recommended.

This author had a similar book out with another publisher, but it is out of print, and quite expensive used. I understand that the author owns this publishing company, so I doubt if it will disappear. Good thing too. I have gone through three copies of the old book. They keep "disappearing".
I teach people how to play slide, although I'm not at all scary doing it. This book is my secret weapon. It's simple and all in one tuning, but not too simple. They (the licks) are what musicians call "solid". By the time you work your way through the book, you hopefully have an ear, and trust me, that's what slide requires. Then you play with the licks and make them your own. Most people have figured out where to go by the time they finish. I always recommend stealing solos from harmonica players when they get through this book. I'm glad it's back.

This very fine book has been in print in one form or another since the early-to-mid 1980s. Not many music books remain in print that long, but this is an exceptional collection of model solos in the urban blues style.

The book is quite popular with music teachers (as evidenced by the other reviews) and it is enjoyable and productive for students as well. The book is aimed at the ambitious early intermediate student, and a few of the solos will challenge an intermediate guitarist.

There are 25 full-length solos in the book, each written in notation and tablature, and each recorded note-for-note on the accompanying CD. The band on the CD is excellent. There are five solos in C, five in G, five in D, five in A, and five in E. The solos are played to standard blues progressions, meaning that they may be "plugged in" to similar blues progressions that are found in many, many songs.

The solos sound exactly like the solos heard on real blues records. They are varied and performed with taste, authenticity, and feeling. You can hear why the author was a columnist for Living Blues Magazine and why his work has received consistently high reviews in a number of guitar magazines.

Great book, highly recommended.

I wish all music instruction books were written in this format. The song tabs just go from one page to the next without a bunch of talking/writing in between, and the song numbers in the book actually match the song numbers on the cd...what a rare and unique idea! Of course, none of that would matter if the material were bad, but that's not the case, the solos are great - quite diverse too. There is a lot of helpful information in this book: theory, writing your own solos, a guide to blues styles and artists,etc. - but it's all in it's own section of the book, not sprinkled throughout the book here and there making it impossible to find. As a full time guitar instructor I would just like to say "great job", "great blues solos" and "great, easy to use format". Thanks.

The author of this book, Larry McCabe, is re-releasing books that have gone out of print for one reason or another. This particular book is an old friend. After I received it, I went into my library and found a copy. It has been in print in one form or another for 25 years. Most instruction books don't last anywhere near that long. First, this book (as the author warns) is not for beginners. You need to be familiar with the movable blues scales we all use. If you are playing out, and feel comfortable with the whole neck, get this book. The style of lead is closer to Gatemouth Brown and Freddie King than anyone else. If you don't know who these men are, buy their CDs. You are in for a treat. Please read the author's introduction. There is a lot of good info there. The Tab system is the older style. It should take about 30 seconds to adjust. It's actually easier to read than the current form. If you consider yourself a Rock guitarist instead of Blues, you really could use this book. If you use these solos as a "how to", instead of just memorizing them, they will give you some new weapons. You know, for scaring the heck out of other guitarists.

Among the many worlds within our world, surely one of the saddest is that populated by refugees. Forced by war, oppression, famine, flood or hunger to leave their homes and seek refuge elsewhere, they share common miseries of dislocation, disorientation and, often, much worse at the hands of unsympathetic authorities. There are millions of them, and they can be found on every continent. They are welcome nowhere and their harrowing experiences often afflict them with traumas that they are unable to shake for the rest of their lives.
One little-known locus of refugee suffering is Australia. The government there has strict laws designed to discourage illegal immigration, and it makes its point clear by treating illegal arrivals with detention in a series of prison-like compounds scattered around the country.
Most of the refugees in Australia literally wash up on its shores, after boarding boats operated by people-smugglers in Indonesia. Most of them come from Middle Eastern countries where they faced persecution by authoritarian regimes, especially Iraq and Iran.
Heather Tyler was working as a journalist on one of Australia's leading newspapers when she became aware of the refugees, and began to take an interest in their plight. She paid many visits to their camps and, whenever possible, interviewed them about their reasons for being there and their experiences in the camps. She heard one sad story after another, and her book, Asylum, recounts her encounters and gives an overview of the refugee situation in Australia and the impact life in detention has on these unwelcome guests.
Many detainees experience severe depression, and some have resorted to desperate measures to gain sympathetic attention, including stitching their lips together in protest against their conditions and the refusal of the authorities to deal with them in a humanitarian way.
This is a sobering account of the dehumanizing experiences of `illegals' in a supposedly advanced democratic and civilized country. It begs the question: Is this really the best we `developed countries' can do for the less fortunate of this world?

This is a collection of skillfully-written, meticulously researched stories about mostly failed asylum-seekers in Australia and what happens to them during their incarceration. One of the things that most disturbed me about this rather remarkable book, was that Australia, a big country that's oretty much known for its sporting achievements and good-natured people, is painted as a place which locks up innocent children in gulags. Unfortunately it's true. Asylum-seekers come from many, troubled regions, and Australia is not their first port of call. In fact, it's often about the sixth country on the list that asylum-seekers and refugees have tried to seek sanctuary in. For their trouble, they are kept in what is called "mandatory immigration detention" centres. Each one is surrounded by multiple layers of deadly coils of razor wire, and each place is run by guards on a prison-style routine. One of them even has an electric fence of 8000 volts. And if this book is to be believed, most of these centres are in geographically very remote locations, in the middle of the desert, or on off-shore islands in stinking tropical heat. I'm a mother of four, and I still cannot get my head around this: that if I was an asylum-seeker, Australia would lock up me and my children. Most of the stories in this book concern the situations of children and how this regime has traumatised them. This is state-sanctioned damage. The stories are poignant and written in an understated way, but their power is unmistakable. I can only imagine that people in the Middle East, accustomed to gross human rights abuses and mass illegal migration, would find this book informative but puzzling as to why the Australian Government takes such a heavy-handed approach with so few people.

It is hard to believe that Australia, which is a very affluent country with vast amounts of space and only 18 million people, can lock men, women and children up behind coils of deadly razor wire in camps in the desert for years on end. In fact, as I read this book, I found myself almost disbelieving its horror. But this is what Australia does to the handful of asylum-seekers fleeing despotic regimes who had the tenacity to make it to the bottom end of the world to seek refuge. When I say handful, I mean a few thousand, and compared to the millions of asylum-seekers and refugees languishing in other parts of the world, I had to ask: what on earth is Australia's problem? This book contains stories of Afghans, Iranians, Iraqis, a Russian mother, a Sri Lankan, tells how they fled their homelands and why, and what happened to them when they got to Australia. Some arrived by air, others on leaky wooden boats after perilous voyages. What happened to them is all the same - they were locked up 24 hours a day, 7 days a week in camps run like prisons, where desperate people tried to commit suicide. Their cases took far too long to be assessed and so many errors occurred in their cases that some took years to resolve. The camps are long distances from ordinary citizens, so much of what was happening to the detainees was out of sight, until extraordinarily brave journalists such as Heather Tyler penetrated the camps and wrote about what was really happening in this system that the Australian Government calls "humane". This is the first book that tells it like it is. If the detention system is so humane, then why did a 10-year-old Aghan girl hang herself inside one of these detention centres? These people did not have voices. No-one wanted to listen to them, and Heather Tyler has given them the opportunity to tell their stories. This is a compelling book, beautifully written and never melodramatic with what is such dramatic material. I couldn't put it down, and I wept many tears at times for the people that my country treated so harshly.

Yet the writing is so full that we can feel part of this other world.

I came to this story by the back door. My first introduction to Somerset Maugham was through the movie "The Razor's Edge" (1946) staring Tyrone Power as Larry Darrell. I have no idea as to how much it was adapted from the book. Then in 1984 we watched Bill Murray as Larry Darrell. This film lost what magic the 1946 film had. So it was time to read the book. Yes I know very few films can do more than present the essence of a book. Turns out that even the older film wrote Summerset out of some of the scenes.

Larry is back from the war (WWI). As with many of us he is left with nagging questions about why one person lives and another must die. This problem leads Larry to search for the answers. He turns down opportunities and takes up a lifestyle to help him find answers. This story is told or narrated by Somerset Maugham himself. In the book Somerset takes more of an active part in the story. Larry came as close as any of us to the answer he seeks and we leave him much the same way one enters and leaves your life.

Somerset Maugham is an amazing writer. He style is clear and straightforward but packed with thoughtful meaning and introspection. The Razor's Edge is the story of life's journey that resonates with anyone who questions the materialistic values of the modern day. It is timeless. One of my all time favorites.

The Razor's Edge is a tale of one man (Larry) who was born and brought up in US, spend many years in Europe, first flying aircrafts in WW I and later living an idiosyncratic existence where he searched for purpose and ambition through books, languages and labor. He later travels to India, and finds solace in the Hindu philosophy, where he also learns how to medidate and be at peace with oneself and the world. Maugham writes a very accurate and engaging account of Hinduism.

The novel explores the relationship of various people. The author as a part of story travels in and out of the life of Larry and his friends, and through several conversations that occur intermittenly recreates the story of Larry, Isabel, Gray, Elliot and Sophie. Isabel loves Larry, but Larry's insistance on choosing to loaf and search for the meaning of life and his purpose (and hence living a poor life) and marries Gray, the multimillionaire. Without divulging much details of the story, one can say that the author does a good job in making his characters real and interesting, and presents through them an array of human emotions.

The Razor's edge is also a social commentary, and Maugham opens a window into the lifes and times of early twentieth century Upper classes, their constant striving for popularity and for materialistic pleasures, their hopes, and failings. The story is written in a sentiment and style that makes this discussion and critique on classes as invisible score playing somewhere in background.

In modern context of the philosophy of science, as say Capra in his Tao of Physics points out, or read Complexity by Waldrop, Eastern and especially Indian ageold wisdom and philosophy resonantes with the new contexts and paradigms in science. The paradigms of having cycles of existence, of evolution and coevolution, of each and every action of every creature affecting everyone else (Butterfly Effect), of uncertainity and unpredictability. Some sentences about Hinduism are particularly well written, say quoting from the book " Can there be anything more stupendous than the conception that the universe has no beginning and no end, but passes everlastingly from growth to equilibrium, from equilibrium to decline, from decline to dissolution, from dissolution to growth, and so on till eternity?"

Larry's description resonates with the beliefs and ideas I was taught while growing up in India. And since I have stayed in US for three years now, I guess I read into novel the kind of questions that I have faced: choice between materialism and spiritualism, choice between love and ambition, between my own country and the land of opportunity, of religion and beliefs! If you are a wanderer, and faced with such questions of life and reality, maybe you will love this book as much as I did!

It ain't only a love story, does not mean it isn't a good love story. Read it, maybe you will like it too!