Ephemera Books

They were making these stickers when I was still a young child. My brother used to stick them all over his bedstead (fond memories) and I'd stick them on my school portfolios in Middle School. Always good for a laugh, then and now. The book is a neat time machine, of sorts. Though it only covers a few series and decades, it's still a great memorial to the concept "What If...MAD made stickers of the products/genres/fads/styles that they parodied?" (yes I grew up with MAD too.) I recommend this interesting book, esp. if you grew up with the stickers and some of the tacky stuff they make fun of.

'Wacky Packages' are a series of collectible stickers featuring parodies of consumer products and brands. They first appeared in 1967 and were the only Topps Company product to achieve higher sales than their line of baseball cards - but until now have received relatively slim mention. This new book is the first collection of Series One through Seven and offers images of over two hundred rare stickers. Collections strong in advertising, art, or collectibles will find it a popular pick with each page offering a full-page color image of a 'wacky package' sticker.

Diane C. Donovan
California Bookwatch

This illustrated several stickers I remember but LOTS I never saw. This is a fun look at what humor used to be like.

It was fun just to see all those old packages. Good coffee table book.

As one of the cartoonists who created a few of the Wacky Packages shown in the book, my view of the project is far from objective---but I thought it was fun to see such pop ephemera resurface 34 years later as an Abrams art book! Who would've thought, back in 1974, as I cruised the aisles of the San Francisco Safeway with Art Spiegelman, hunting for likely targets, that our little barbs sent at consumerism and package design would have such staying power? I shudder to think it, but more people probably saw my "Generally Demented Light Bulbs" or "Kentucky Fried Fingers" Wacky Packs than ever read one of my Zippy comic books.
-Bill Griffith
Zippy:Walk A Mile In My Muu-Muu(Zippy (Graphic Novels))

Wonder Woman: The Complete History is a delightful book for fans of the character, even if you only know her from the old TV show. The background of her creation by a clinical psychologist was very enlightening.

The illustrations throughout are excellent and all in all, it's terrific book, exceptionally well written by Les Daniels.

Not only do you get hte nostalgic book with the history of this heroine, you get the figurine that you can display and become the envy of all your friends! The statue is of classic Wonder Woman, the one from the 50's. She's still wearing the skirt.

This is truly rare. It's fantastic for all collectors and a MUST-HAVE for all die-hard fans!

I have always enjoyed Les Daniels and his carefully researched books of comics history, but everyone has a blind spot. Wonder Woman is obviously his. This book, beautifully designed as it is, fails to capture what has made Wonder Woman such an enduring character and icon. It's clear on almost every page, Daniels is unimpressed by her. It's fine if he doesn't like her -- no one character can be everyone's favorite -- but it does make for a frustrating read at times when one wishes to celebrate Wonder Woman's unique place in comics history. His fascination with her creator is evident to the point that it seems clear Daniels would much rather write about Marston than Diana. His heavy emphasis on the bondage subtext of the Golden Age incarnation undercuts the more postive surface elements of those stories. Indeed, he sneers at Gloria Steinem's endorsement of those early years, casting great disbelief that there could be anything of substance taken from them.

Also, as another reviewer points out, Daniels gives short shrift to George Perez's post-Crisis revamp. Widely acknowledged by fans as the high point of her modern career, it's strange to see Daniels blandly note the support Perez got from female collegues in overhauling Wonder Woman's character and deride it by calling the later issues akin to ADVENTURES OF MENOPAUSAL MOM (I'm paraphrasing but only slightly). Daniels here suffers from the same fanboy syndrome that infuses the industry these days -- the idea that if HE doesn't appreciate it, it must be terrible. Meanwhile, Mike Deodato's art is viewed favorably, despite that being universely considered a lower point in the post-Crisis stories.

At the end of the book, it really seems as if Daniels only reluctantly churned it out because of a contractual obligation. His Superman and Batman books are excellent and filled with total respect for the characters and their appeal. If only he could've retained enough objectivity for the Wonder Woman assignment. Despite it all, it is a beautiful book and the history is thorough and still fascinating if somewhat subjective. Good for historical nuts, not so good for WW fans.

Les Daniels' Wonder Woman: The Complete History is the third book in a 3-volume series (the first two addressed Superman and Batman). While not without its flaws, it's overall a well-researched and enjoyable treatment of the character.

Wonder Woman first appeared in 1941, the brainchild of Dr. William Moulton Marston (writing under the pen name Charles Moulton), by any standard a bit of a weirdo who's remembered today for two things: (1) he invented the polygraph, (2) Wonder Woman, of course.

I could pick a few nits with Daniels' text. In places he does reveal an ignorance on certain topics. For instance, when speaking of Marston's World War I U.S. Army service, he states Marston "rose to the rank of second lieutenant." False. No officer (and I can't imagine someone of Marston's high educational level ever being an enlisted man) "rises" to Second Lieutenant because that's the absolute lowest officer rank.

Daniels is extremely opinionated. How much space is allocated to any of Wonder Woman's creative teams over the decades is very much controlled by how much Daniels likes their work. Obviously the Marston stories, with artwork by Harry G. Peters, are his favorites thus receive the most attention, though he devotes surprising time and positive comment to the generally despised stories written by Robert Kanigher. This is fine. Half the fun of a book like this is getting the writer's likes and dislikes on the character and her creators. Where I part company with Daniels is his low opinion of the George Perez stories of the mid-1980s thru early '90s. Daniels devotes an entire chapter to Kanigher's creation of such fascinating (hah!) characters as Glop (a "shapeless mass of grinning goo from outer space [which] absorbed everything in its path including 100 rock 'n' roll records"), Wonder Tot ("Mommy be proud to see me now!"), and Egg Fu (a Chinese Communist agent inexplicably shaped like an egg the size of a house, who used his mustaches as weapons and had a Charlie Chan speech pattern). After that, it was more than a little disappointing to have the Perez stories, considered by many Wonder Woman fans including myself the character's finest hour (especially the stories on which Perez did the artwork in addition to scripting) dealt with in a mere seven text pages, much of that explaining how they weren't really all that hot.

The only truly major flaw in this book involves its layout. These days, book publishers are terrified of the Internet. And well they should be. However, instead of focusing their efforts on what books do better that the 'net - provide one, continuous, uninterrupted stream of information - publishers' response has been to make their book pages look as much as possible like web pages. Lots of bright colors, lots of sidebars. I hate sidebars. I don't appreciate having to flip back and forth between pages, sometimes reading blocks of text in four or five different locations, to get all the info. More to the point in this particular book, choice of color on some of the sidebars is extremely poor, so much so it's difficult to read the text. Black lettering against a dark blue or dark red background just doesn't make it.

With those few negatives out of the way, this book is a delight. It's all here: a biography of Marston, on to the creation of Wonder Woman, all the creative teams of note and their storylines up til this book's publication date (2000), the Cathy Lee Crosby made-for-television movie, the Lynda Carter TV show, Wonder Woman merchandise, her appearance on the cover of Ms. magazine's first issue, etc. This book is a must-have for fans of one of the 20th/21st Century's most fascinating fictional creations.

First off, loved the book. It was nice to read the comments from Lynda Carter and see the multitude of changes that WW has gone through. But I did notice two things, the actress that played Wonder Woman's mother in that tiny demo in the 60's was named Maudie Pricket and the photo of Ms. Carter's costume says it is from the first season and it's not, it's from the CBS years as are the bracelets and tiara on the following page. I know Ms. Carter preferred the CBS years updated costume but the original on worn while fighting Nazis in the more humorous years will always be my absolute favorite! Thanx...

This book is really funny. Lucy is the most funniest in this book. There are 380 lost comics shown in here. A really great book.

In this 2nd volume of The Complete Peanuts, Charles Schulz refines the 1st 8 characters he introduced in the 1st 2 and 1/2 years of Peanuts. Lucy is a little fussier (she'll be known as crabby later on) and Linus, though still a baby, thinks deep thoughts and is known for sucking his thumb. Charlie Brown is establishing himself as the wishy-washy "loser" (he has his 1st Valentine's Day letdown in this volume). Also, the security blanket is introduced but it's Charlie Brown and Schroeder who endorse it at 1st, not Linus. Lucy admits she has a crush on Schroeder (the 1st in a series of unrequited love affairs). Violet and Patty are more or less reduced to 2nd bananas (they'll later be known mainly to repeat all of Lucy's putdowns to Charlie Brown). They plan a party and decide not to invite either Charlie Brown or Lucy, realizing that "inviting some people isn't as much fun as not inviting people." Schroeder is still a big fan of Beethoven and classical music (he's the catcher for Charlie Brown's team) and pretty much replaces Shermy as Charlie Brown's buddy (Shermy is rarely seen in these cartoons, he's given a crewcut). 2 new characters are introduced but only one of them seems to have "staying power"- Pig Pen and Charlotte Braun. Pig Pen is a lovable slob with soot all over his face and clothes. Charlotte Braun is a loud and obnoxious character, who would later be written out. Charlie Brown's team always loses and Snoopy's imagination runs wild (though he still walks on all fours and we can't read his thoughts that often). The term "blockhead" is introduced here. In fact, Schroeder is one of the 1st to call him that (but not to his face!). Lucy's mother disgraces her by writing The Life and Times of a Fussbudget. The term "Great Scott!" is used often by Charlie Brown (it would later be replaced with "Good Grief!"). In 1 cartoon, Violet and Patty announce they will not play Lucy's games, which makes Lucy quite upset. After a tantrum of kicking and screaming, she agrees "All right, then. Let's play your way." In another cartoon, she kicks around Patty's doll, Violet's stamp collection, Linus' cookies, Charlie Brown's picture puzzle and Schroeder's piano. Later, as she's running away from the angry gang, she complains nobody understands her! She won't let Linus play with her toys but she will let him play with a rubber band. She later takes it away, though: "I didn't mean for you to have THAT much fun with it!" Charlie Brown's pitcher mound is introduced. Linus stands up for the 1st time, but quickly loses his balance when Lucy rewards him with a cookie. In a few cartoons, adults appear in the background (particularly in the golfing cartoons). A lot (but not all) of what wound up in More Peanuts and Good Grief, More Peanuts is featured here. There is also an interesting introduction by news commentator Walter Cronkite.

Must have for that peanuts fan in your life. Be aware this is part of a set...

This is the second book in the series and my 12 year old daughter loves both. Once she was reading the first book she wanted the next one too. Seeing how the characters began is fun as well as the old drawings. And seeing them evolve in personality and age is great. Snoopy's antics get more and more animated, Linus is a baby, and there is the introduction of Pig Pen! He actually cleans himself up, but then decides he likes himself the way he was. I got the book for my daughter at Christmas. We've read several pages each night and are now almost done. I guess we'll be getting the next one in the series. If you are a Peanuts fan, these classic comics are definately worth collecting!

I've always loved Peanuts. As a kid, I especially enjoyed the TV shows, but of course everyone loves Snoopy, and the other characters, Charlie Brown, Linus, Lucy, Peppermint Patty, and Pigpen, are all very fun. As a result, when my wife got this for me for my birthday, I was fascinated to see how far what we know as Peanuts had evolved from what it started out as. Charlie Brown still has that shirt with the stupid stripe on it, Lucy has her hair with the two little bobs at the sides below her ears, and Pigpen (who makes his debut here) is followed by a cloud of dust (most of the time). But Snoopy is very very different from what we're used to, spending all of his time on all fours except when he's begging, and being much more dog-like than he was in later strips. He's even drawn differently, with a sharper nose and a more dog-like body. There's another girl (named Violet) who I don't remember from the more recent cartoons, and Patty (no Peppermint) is a pretty straightforward girl, not the tomboy who called Charlie Brown "Chuck" all the time. Linus can't even talk yet! This was one of the biggest surprises: to me, the Peanuts kids were always frozen in time, but apparently Schulz aged them in the first years.

I enjoyed this collection immensely, and I'm now determined to buy more of this collection.

This is a beautiful book illustrating every style imaginable in chronological order. An easy way to learn about style. Worth every cent.

I had taken this book out from a library to get some ideas for my final project in my cabinet making course and I just had to have it. I like the way the furniture is classified for each time period and also the many pictures and their discriptions.

I waited and reviewed many books on furniture history and was very pleased with this one. Many beautiful pictures and great information to go with it. Judith Miller is a well penned author in the area of Interior Design. My husband could not put this book down until the end, and was online trying to find many of the pieces for sale! Worth the wait of being picky about what I wanted in a book of this topic. Many of the items in here were, or are, for the top 1% of our society, but you can take the information and apply it intelligently to other more common pieces to get the history and inspiration for those items. I could go on and on, but just trust me when I say, the ink stops here.

This is the most thorough, extensive, well-organized, beautifully photographed book on period furniture and interiors on the market today. It should be a required text for all design schools as well as a treasured resource for collectors, historians, and lovers of furniture of all kinds. Well worth it at twice the price.

We found this book to be a useful guide for styles of furniture of the upper class of society. For doing stage productions this is very helpful, however, more pictures of "common" furniture styles would make this a perfect book for our reference. If you are interested in collecting antique or reproduction furniture you will find this a great resource. It's like strolling through a museum.

Christopher De Hamel's "A History of Illuminated Manuscripts" (now in its second edition) is certainly the definitive history for lay readers, but it is probably the best starting place for aspiring professionals as well. It is well-written, faultlessly researched, and copiously illustrated. I happily use it in my university course on illuminated manuscripts together with Ingo Walther's "Masterpieces of Illumination" (published by Taschen)--in my opinion, the perfect companion piece.

The second edition of De Hamel's book is structured as was the first: an informative introduction is followed by chapters which divide and discuss the manuscripts according to their intended users (missionaries, emperors, monks, students, aristocrats, everybody, priests, and collectors); an extended bibliography precedes several useful indexes. This Phaidon paperback edition is a beautiful book, with a white paper cover adorned with a full-color dust-jacket. Many new illustrations have been added, and there are many more color illustrations than there were in the first edition. More importantly, the text has been updated to reflect ongoing research in the field.

My only complaint about this edition is that many of the important full-color and full-page illustrations in the first edition (to which I often referred in my classes) have either been reduced in size or eliminated entirely in the new edition. There are also significant (and inexplicable) differences in the color reproduction of illuminations between the first (David R. Godine, Publisher) edition and this second (Phaidon Press) edition--sometimes the differences are so radical that only a close inspection (or a familiarity with the actual documents) reveals they are photographs of the same manuscript. And since many of these manuscripts are from private collections (to which Mr. De Hamel apparently gained access by reputation or through associations established during his tenure at Sotheby's), it would be impossible for most readers to know which of the differing reproductions are the more accurate. My own experience would suggest that not all the changes in the new Phaidon edition are indeed improvements.

Publishing faults aside, this is a fine book by a scholar with impeccable credentials and a gift for clarity and sensibility in his writing. I highly recommend it.

The title explains exactly what is in the book. It is very infomative and has tons of color illustrations of illuminated manuscripts.

I am thoroughly impressed with this book. Its scholarship is impressive and helpful in my preparations to study medieval history at Oxford. And the thoughtfully written bibliography and through indexing of the manuscripts illustrated assist further studies. Even though it's not on my official reading list and is certainly not a light nor compact book, I'm packing it and taking it with me.

But, as scholarly as this work is, if one simply wants an attractive coffee table book on the subject, this can certainly be one. If one wants a very readable, engagingly written, well illustrated introduction to illuminated manuscripts, this is for you as well.

There is even some helpful guidance on collecting the more available manuscripts such as Books of Hours. And as the Fellow Librarian of Corpus Christi College, Cambridge and with his 25 years experience in evaluating manuscripts for Sotheby's, Dr. De Hamel's knowledge is not just theoretical.

Yet the price is extremely reasonable for a book of this quality.

Simply a treasure in print, Christopher De Hamel's work on medieval manuscripts is an enjoyable and fact-filled romp through the Middle Ages as if no "darkness" in the period ever existed. Focusing on a descriptive narrative that is as delightful as it is informative, the text leads the reader from one interesting setting to another, belying the breadth and scope of its coverage. One meets the educational reformers in Charlemagne's court, the scribes of the cathedral schools of Laon and Chartres, the workers in English scriptoriums, and many others in this highly researched, but clearly and engagingly written book. The reader feels as if he is simply touring the European countryside from one location to another and watching the patient and unrelenting work of scribes, copyists, and illustrators as they seek to develop the most enduring artifact of the period. Underpinning the entire work is a series - no, a PLETHORA - of beautifully reproduced and highly detailed medieval manuscript reproductions, many of them full-page, to the extent that one finds himself questioning why the text doesn't cost three times the price. A rarity in that it contains both outstanding prose as well as stunningly reproduced photographs, this text should be in every medievalist's (and art lover's) own scriptorium.

I loved this book! I used it for a graduate course on Illuminated Manuscripts, and it was one of the main textbooks we used, but I used it often after the course as well. I really enjoyed reading it, and found that it was unlike most of the typical text books I had formerly used. For any art history student, it is an outstanding resource. For anyone who loves illuminated manuscripts, book arts, or the Medieval period in general, this is a wonderful resource. It is a book that I consider an indispensable resource in my personal library. It is very well written and easily accessible for anyone. Although some of the terminology may be unfamiliar, it isn't so esoteric that it is beyond the scope of general understanding. It is clearly one of the best resources on the subject that I have ever come across!

How different would Leni Riefenstahl's life have been had she not filmed Triumph of the Will? One can only speculate what films she would have directed and starred in after World War II were it not for Hitler insisting she do the film.

Riefenstahl has been referred to as a Renaissance woman, and she most certainly was. She was a creative being and expressed her creativity in dance, acting, directing, photography and ocean diving. These five areas, spanning her entire long life, are the subject of this sumptuous coffee table book.

Editor Taschen Angelica is to be commended on compiling this life-work on Riefenstahl while Leni was still alive to assist in the selection and arrangement of the photographs. The segment on the mountain films is worth the price of the book alone, but the color images of the Nuba are also amazing.

Riefenstahl's revenge against those who denied her her cinematic craft after World War II was being able to live to 101, and seeing her life-long accomplishments compliled into this book. Rumor has it Jody Foster is at work on a film project about Riefenstahl. One hopes Foster will get it right and cover her entire life, not just the years that caused so much controversy.

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

As gifted as she is controversial, Leni Riefenstahl's "five" lives are imminently fascinating as this impressive book will prove! Even to the uninformed or casual observer, this edition will entrance. A great addition to your library, especially if you are impressed by the 102 year old dynamo who continues to prove filmmaking and photography as an art form. A living testament to the fact that "bodies in motion, stay in motion!"

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

The striking front cover on this book is a publicity still as Junta, in the movie "The Blue Light" 1932. As impressive as the cover is, it gets better when you open it to reveal hundreds of artistically shot photos. Dr. Ruth says bigger is not necessarily better. However in this case it is; something about the size of the photographs add to their striking appearance. Most are in grainy black and white with some color sections. This book is just a wee to large to fit in my oversized bookshelf. So I am making a larger shelf to display the books front view.

Just as you assume that this is a great coffee table book you will find that there is more too it. Luckily the pictures are not cluttered or distracted by alpha pneumonics. All the descriptions are in a separate section. The title of the book is appropriate as it portray s the different vocations of Leni. (Dancer, Actress, Director, Photographer, Diver)

This book also enhances the viewing experience of Leni's films.

THE GERMAN CENTURY.

This is one of the greatest of all Baseball Books. It is an unforgettable book. I first owned a paperback copy waaaaaaay back in 1975 when I was in the Sixth grade!!!
Those that have read this masterpiece will NEVER forget it,I guarantee it.
It is not only a book about Baseball or Baseball cards but about LIFE and about the America we wish to remember.
Buy it! You won't be dissapointed.
And...Goodnight Sibby Sisti,wherever you are......

I received the book as a Christmas present in 1973. I love, loved, and will love baseball. I was at Yankee Stadium when Mantle hit his 500th HR.
I watched the Yankees go from a dynasty to the cellar. I was at the double-header in June 1970 when Bobby Murcer hit 4 consecutive home runs.
($1.75 for general admission). From the first word to the last, this is a great book. I lost the original, found a soft-cover version which proceeded to fall apart, and then found a hard-cover that I have surrounded by barbed-wire and rabid pit bulls. I recognized many of the players, never heard of quite a few, but it didn't matter. If you are a baseball fan, new or old, buy the book.

Here's a little time travel for you. I first got my hands on this book when I was a little baseball-loving kid, back in 1974. This book scared the hell out of me back then.

Thirty years later it turned up again, and this time it blew my mind. It's one of the most creative, touching, thoughtful, mildly mean-spirited works of literature I've ever come across (And I read books for a living.)

Here's the backstory on the book. It's the early 1970's in Boston, and two witty, profound, slightly geeky local bookstore employees decide to rummage through their childhood baseball-card collections and write a book about their love of the game. Please note: this book **isn't** about baseball or even about baseball cards (here I'm citing the authors in their preface), it's a book about childhood as recalled through the prism of baseball cards.

This book isn't for everyone. It's for grown-up men who loved baseball as boys, weren't very good at it (as the authors admit about themselves), and were probably picked near the end in gym class when teams were being chosen.

This book is probably best (and most mind-blowing) for people who grew up during the late 1950's and early 1960's, as the authors did. But the generations of childhood baseball fans ever since will also find great pleasure in this entirely irreverent and clever book.

"GOOD NIGHT, SIBBI SISTI, WHEREVER YOU ARE." When I read this line in the book back in 1974, it gave me the willies. Now I just grin.

I received this as a Christmas gift one year and was initially disappointed. I had only heard of a few of the guys that were showed on the cards and I set it aside, figuring on sticking it up on my bookshelf with the other boring books that I had and never bothered with. Several days after Christmas we went on the annual family gift return, a day I truly hated. In desperation I grabbed this book off of my pile and took my accustomed place in the back of the station wagon. For the rest of that day and night the only time I put the book down was to eat, and then only briefly. This is a completely irreverent look at baseball as a whole, and the thing that really sealed the deal for me was the card of Whammy Douglas and the comments made by the author. I tried to get my dad to read it because I figured he would get more out of it than I did, (I'm 41 and consider myself to be on the trailing edge of those who might "get it",) but he wasn't interested. Maybe I'll try again. This book might have a limited range of interest, but if you have fond memories of baseball in the 50's and 60's, I think you'll fall right into that range.

Each of us occasionally has experiences that are so vivid that they make immediate and permanent imprints upon the memory. For example, I can still remember my excited first day of kindergarten, as well as my first glimpse of Three Rivers stadium, as our family car approached it along the jumbled, congested streets of the North Side.

Believe it or not, I can similarly remember my first experiences reading this book, as though they were yesterday. I was in grad school in California, and a friend was visiting me with this book in tow. As he spread out a sleeping bag and nodded off to sleep, I curled up with his magnificent book. I can still picture that entire scene, my old apartment as it was then, and even one particular page on which I lingered in fascination (the Joe Fornieles profile.) The feeling of reading it was that electric, that hyper-engaging.

A book has got to be good if reading it is remembered as a formative experience.

Let me try another way to explain how much I loved this book. When I couldn't find this book anywhere (it being out of print), I directed a nationwide book search to try to find it for me. They did, a flawless hardback edition that I still treasure, and still maintain in carefully guarded, pristine condition. Mind you, I was a starving grad student when I did this, and could hardly afford such luxuries.

As you can see from the other reviews below, this book takes that type of hold on those who love it.

There are three major sections in this book; one covering the sensory atmosphere of a 1950s suburban childhood, one on the baseball card industry as it existed in 1973, and one a series of profiles of players as depicted on samples from the authors' baseball card collection. The first and third of these are the great ones.

I adore the opening chapter, which brought childhood back to me even though I didn't grow up in the same era as the authors. But some things are universal I guess, including the way that childhood memories exist as scraps and floating debris of the odd popular cultures through which we guide our children.

Boyd and Harris's childhood world will be recognizable to anyone who grew up in America -- a world of advertising jingles, cap guns, yo-yos, Pez, and of course, baseball cards. A time cycle in which the kids learn to break down the interminable flow of their school year according to the changing weather, the holidays and favorite activities of each mini-season. And even those of us whose childhoods weren't so innocent nevertheless cling to those small fragments of memory of a time when we had no responsibilities and the world was a fascinating and wondrous place. I once wrote a newspaper review of this book in which I referred to this opening chapter as Marcel Proust in Levittown, and I think it still fits.

But the real core of the book is the "Profiles" section. This is a procession of baseball cards, one after another, two per page, each of which triggers a particular set of memories from the authors. Many of these, if not most, are really funny. But others are poignant.

Not all of the little capsule profiles are about the players themselves. Sometimes the authors take the opportunity to laugh over the baseball card itself -- a goofy pose, a bad airbrushing job, an inexplicable caption, an ill-considered description on the back.

It's an exquisite feeling, thumbing through their card collection with them. You feel the pang of reverence for the Ted Williams card. You snicker over Choo-Choo Coleman and the lousy catchers collected by the New York Mets. You ponder how it could be that Charlie Smith was traded straight up for Roger Maris. You nod knowingly over the author's continual confusion of Mike de la Hoz and Bob del Greco.

The visual design of the book is central to its power, which is why I particularly treasure my hardback edition. One page of umpire cards has a colored backround on which is stamped,simply, "Boo, Boo, Boo, Boo. . ." A page with the cards of Jackie Robinson and Roberto Clemente contains no commentary, just a respectful black background (each had recently passed at the time of the book's original publication.)

Somehow it all seems to mean something, even without seeming to try to mean anything. And therein lies the book's genius.

I know of no other baseball book like this one. It defies categorization, and despite my poor effort above, it really defies description. Buy it, hide it, shut the door and turn out the world, savor it, ponder it, laugh at it, love it.

Have a good time. It's meant to be fun, you know. Let's play two.

This is a good source book on firecrackers from China to the world. It was well organized with large pages of colorful photos in rare package labels. The chapters on the origin, evolution and manufacturing of firecrackers were concise and informative. Of significance was the chapter on Chinese celebrations. For more than a millennium, firecrackers have been there from weddings to dragon dances, from funerals to store openings (p.27). For the Chinese, firecracker is a must for festival tradition celebration especially to welcome the Chinese New Year (same as firing guns at New Year Eve).

However, Chinese Christians celebrate Christmas with firecrackers (p.36) is a doubtful assertion as the authors failed to provide where, China or US. The same page said firecracker is celebration and sadness. To Chinese, firecrackers never are associated with sadness. It can mean scare off the evil spirit, negative chi and bad luck.

It is a great book to read and enjoy the colorful labels and package with different themes, ranging from Chinese mythology and folklores to western tradition. The Chinese knows the American market well. The nude angel with wings (p.76) is a case in point; others included are battleship (p.121), Red Devil, thunder cloud, dinosaur, Robinson Crusoe, King Kong, cowboys, Indians, aquatic animals, astrospace and explosives (atomic bombs), bullfight, woman boxers, baseball, football, circus, auto race, military and Dixie boys. The un-named artists were impressive. Labels from Guatemala, Indonesia and India are included as well. Of special meaning were the two package labels related to WW II - four Chinese soldiers with weapons on hand, a firing tank, a Chinese flag and three double decked fighter planes heading East resisting Japanese aggression (p.100); a young Chinese soldier in green uniform, gun at back and bullet case belt with a raised right hand V finger sign, an obvious V- J Victory celebration (p.101).

This book gave good information. However, the authors failed to mention that firecrackers and fireworks, the Chinese invention are intended celebration for prosperity, happiness, luck and peace as well. But once introduced to Europe, they were turned into weapon to wage war against Chinese as recorded in history 150 years ago under the free trade in China's favor excuse.

Next time, when you light up a package for July 4 celebration, think about the excitement and joy this Chinese gift brings.

This book shows great insite into the history of the firecracker and the intricate artwork involved with the packaging of them. The clarity of the illustrations are wonderful, its hard to believe some of the labels are as old as they are. I highly recommend this book to anyone who can remember the excitement of being able to "set off" these firecrackers on the 4th of July, without worrying about breaking the law. Those of you who were not as lucky to experience this thrill, will definitely find this book fun.

My husband was looking for a book on firecrackers and I tried the local book stores, i.e. Barnes and Nobles, Bookmart, Books a Million, but no luck. I browsed the internet and the reviews on firecracker reference materials were few and far between. Finally I came across this book on Amazon and took a chance it would please him.....he's quite picky about his reference library. This soft-cover book is GREAT! It is packed with beautiful, vibrant full color photos of the common labels all the way up to the very rare. The book layout is dotted with photos and the glossary is helpful to even the intermediate collector. The section "Interview with a Collector" gives a nice insightful look into the pursuit of fireworks labels. The history of firecrackers is also discussed, giving the collector a great back-story to the industry. No price guide, but that is fine with my husband, as it tends to date a book after a couple of years. This is an informative addition to the Hubby's library......he's happy and I'm glad.

Excellent beautifully illustrated book well worth the money. The illustrations and layout are extremely well done. This is easy reading that covers some terrtory not well documented anywhere else (Vietnam.) Some historical inaccuracies especially in the history of the manufacture of "Chinese" crackers in the 20th century. Overall an excellent job! Highly reccomended to anyone who has an interest in the subject, or who just likes the imagery of the old labels.

Bright, colorful pages packed with color illustrations and photos chart the art and history of the firecracker, from their construction and advancement to the making of labels and items promoting them. Beautiful drawings pack an illustrated history which invites leisure browsers as much as researchers, and which is very highly recommended for general library collections.

Books are one of the most precious possessions we humans can have; they are our history, our knowledge, our culture, and the largest record that we exist. And, in Speaking of Books, the reader will find page after page of the words we have used throughout recent history to lovingly (and at times not so lovingly) talk about our books.

Whether you are a biblioholic/bibliomaniac or you just love to read the books in your local library ("No place affords a more striking conviction of the vanity of human hopes than a public library" -Dr. Samuel Johnson), this book will entertain and enlighten you about our love affair with the bound written word. From the well known such as Edgar Allen Poe and Ralph Waldo Emerson to the obscure, people have been writing and talking about books since the book was first published.

"The trouble with this book is that its covers are too close together." - Christopher Lehmann-Haupt

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A Guide to my Book Rating System:

1 star = The wood pulp would have been better utilized as toilet paper.
2 stars = Don't bother, clean your bathroom instead.
3 stars = Wasn't a waste of time, but it was time wasted.
4 stars = Good book, but not life altering.
5 stars = This book changed my world in at least some small way.

This compendium of quotes is divided into 20 chapters (some more vaguely defined than others), each with a short introduction, including:

The Pleasures of Reading
The Pleasures of Buying and Owning Books
Bibliomania
How to Read
Lending and Borrowing Books
What Books Can -- and Cannot -- Teach Us
Collector and Collecting
The Book Trade
The Enemies of Books
Libraries
Good Books and Bad
Books and the Young
Authors and Their Readers

Quotes range in length from one sentence to paragraphs, and are by authors and readers, most pro some con. Unfortunately, not all are dated or sourced. An author index can help you locate musings by particular people.

The font is large and clear, and the book format makes this a pleasure to read.

Fun browsing material for book lovers.

A great effort by the editors of another great book "A Passion for Books".As a lover of books and reading I am attracted to books on books.It takes a pair like Rabinowitz and Kaplan to do a real good job of producing such good results.Books on books and books of quotes seem to be topics that edited book producers and publishers seem to believe are a snap to produce.I haven't checked ,but I would suspect R&K could but wouldn't crank out a book on some other subject ie.Birdwtching even if prompted by a publisher.I think this is why these two books are so good.I find editors that pump out books on a variety of subjects produce mediocre results and fall in the same realm as those referred to by Francis M Cornford on page 209 "University printing presses exist,and are subsidized by the Government for the purpose of producing books which no one can read;and they are true to their high calling".These kind of books can often be identified as having received a grant by a government or other body that believes that they,rather than the buyer, should decide what is worth publishing.
as having received some sort of

The editors have collected many powerful sayings and arranged them under twenty different topics to create a very useful compendium. It is a wonderful reference for anybody especially writers, readers, speakers, collectors, and people who love books in general. The mixture of funny quotes, inspirational sayings, and aggressive thoughts would surely challenge the readers' thought processes about each adage. An index of authors is provided at the end of the compilation for easy search. Although it is supposed to be a reference book, reading it from start to finish is pretty exciting.

1) There are more good books than any single person can ever read in their lifetime
2) A sick child at home may in reading a book have a true adventure in mind
3) Not all books are good ones. There are bad books in the world- there are Evil ones that have brought great disaster and suffering.
4) A book can tell us more about strangers than we can ever know about people close to us
5) Each of us is a book or many books. And perhaps one day in the Great Library of the Future there will be a book for each of us that tells our life story.
6) The greatest book there is is the Book of Books-and the author is G-d.
7) Shakespeare did not write his plays to be books- and yet what greater books are there than Lear and Hamlet and Macbeth and Julius Caeasar?
8) A book a day keeps the Alzheimer's at bay.
9) A book about books is a booklover's delight
10) Let us all praise our favorite books.

This Codex is remarkable at any price. The colors and reproductions are simply gorgeous and the text is helpful. Present are a bewildering number of religious pictograms, some calendric and other representing the mystical or dreamlike journey of the strange character 'one-eye.'

The characters are, overwhelmingly, bloodsoaked and violent. There is decapitation, dismemberment and heart sacrifice. This document gives the lie to those anthropologists who claim that the mesoamerican societies are 'misunderstood' and were not human sacrificial--that tales of human sacrifice and cannibalism were tales perpetrated by the Conquistadores to justify their conquest and subjugation of gentle cultures.

Well, not quite. Judging my this and other codices, as well as archaeologic revelations, suggest that these societies were just as bloodstained as advertised. This is not to justify the Spanish Conquest but just a simple fact.

At the same time, many of the characters in this codex require major interpretation. Virtually everything is split, injured or vomits blood. Depictions of people [children?] being tortured and blinded are especially disturbing. Nevertheless, this is a document well worth owning.

Ron Braithwaite author of novels--"Skull Rack" and "Hummingbird God"--on the Spanish Conquest of Mexic

Even if you, like me, don't have much of a knowledge base about ancient Mexican history, it's cool just to show people the book. I've flipped through it and gained a vague understanding of how it fits into history, and I appreciate that it brings to life an aspect of a culture that I really only know through mythology. The preface to explain the Codex is probably well-written, although, admittedly, I felt rather daunted by it. Skimming through it was still valuable, though. A good conversation piece!

Sin duda este es un título que no debe faltar en ningúna biblioteca personal, ya que la restauración de uno de los principales códices es perfecta, para aquellos interesados en la cultura y ciencia ancestral este códice es de gran ayuda.

This is a very strange and beautiful book in pictures. It reads like a dream if you tune in to it, and reveals very deep meanings about the relation between life and death, the human relation to the forces of nature, and time. Even though there are no words, it is possible to understand. If you get into it the symbols become more and more recognizable, and they begin to speak. the calendrical symbols and the spirit deities are completely recognizable. The sequences are all about times, and there is a big element about sacrifice. It has to do with the consequences of change; there is no life without death. The book has a very powerful image of life and death fused back to back that pretty much is the epitome of all the book is about. It's all about life and death in relation to time.

I will not go over their 5 star comments except to say that I agree. The amazingly colourful and crisp art in this short book is rivetting. As much as one may credit the reknowned author, deep congratulations should also go to the publisher for a masterful print job.